Huh? He has so much love for her that he will kill her, or anyone else that comes into her life. Tyler literally talks about killing his girl and then tries to justify it using love. Then seal the song with John Legend’s smooth vocals to make all the toxicity okay. You hurt, Ye? But there’s nothing like Chris Rock’s commentary at the end of “Blame Game” that shows you it’s always about moving on to the next person and giving them what your old flame lost. This song embodies “I’d rather lose you than the argument” energy, followed by upset “you should be grateful a nigga like me ever noticed you” energy, all in the same song. It’s a pretty massive change of pace for the usually melancholy emo-rapper, but a surprisingly welcome one at that, as Peep’s ear for catchy hooks assists the skeevy vibe of the track. If the title isn’t enough to convince you of the deviant energy of the track, the lyrics will, as Peep begs on the chorus for his ex-girlfriend to “fuck me like we’re lying on our deathbed.” The whole vibe of the song bleeds toxicity, as Peep talks about his ex as if she’s some sort of subservient possession that will do whatever he wants. The typically sensitive Lil Peep tried something a little different on this cut from his 2018 posthumous album Come Over When You’re Sober, Part 2. Whether he’s talking about seducing pornstars or hosting giant orgies for his honeymoon, Kanye demonstrates his love for the over-the-top sexual fantasies that made MBDTF one of the most memorable albums of the 2010s. Fresh off interrupting Taylor Swift’s VMA acceptance speech, Kanye dropped this banger off his 2010 classic, My Beautiful Dark Twisted Fantasy. The king of toxic masculinity, in my opinion, is the infamous Kanye West. Drunk-dialing your ex, is a no no everybody, especially on Valentine’s Day. To top it off, Drake confesses he’s having sex four times a week and financially supporting women, but still feels like he has the right to comment on his ex’s relationship. Although “Marvins Room” is a classic, the crux of the song is about plotting on someone who is happily taken. It seems like I’m picking on Drake, but between him and Future, love might as well be a myth. In one song, Drake admits he’s not someone to trust, gives out Chanel like a hug, is a pathological liar, and messed with his significant others friends back in the day, all while threatening he might give her back to the hood if she acts up. The topics and levels of intimacy Aubrey raps about in “Childs Play” makes me feel like he needs to see someone too. Now Drake knew damn well he shouldn’t have written this song. What the hell? He even lists all his partners unhealthy habits and states he, “don't need emotions to open your deep sea, I conceive an ocean by goin' between legs.” See a therapist, Wale. The track opens with Wale smoking a blunt and confessing that monogamy ain’t for him, but that he also loves the sex from his toxic, emotionally unavailable piece. Here’s VIBE’s list of the 21 best Hip-Hop albums of 2021.I want to prefix this by saying that I love this song.and that’s the problem. Don’t let yours make you look like an a**hole. Whether it’s Hip-Hop Reporter Preezy Brown’s praise for Bo Jackson, Executive Editor Christine Imarenezor’s case for Sometimes I Might Be Introvert, or Staff Writer DeMicia Inman’s affection for Planet Her, these are authoritative opinions, but first and foremost they’re picks of passion. If Westside Gunn’s HWH8 moved you the way it moved Editor-in-Chief Datwon Thomas, tag them both on Twitter and show some love. If the softer sides of Folarin II and Montero appealed to you as much as they appealed to R&B Reporter Mya Abraham, dig into the blurbs she wrote instead of fussing over which came first. Don’t worry about whether we crowned the one you enjoyed the most. If you’re a true music-lover, chances are at some point you enjoyed many of the 21 albums and EPs included below. What is important about this list is it’s a celebration of the music that got us through another pandemic year that could have ended us all. The debates, the grandstanding, the indignant campaigning on behalf of your faves and ours that’s all in good fun, but none of it is remotely important. Regarding this list, all smoke can be directed toward Austin Williams, VIBE’s Senior Music Editor who ultimately chose the order in which these projects appear.īefore things heat up, though, let’s make one thing clear: The following rankings were deeply considered by someone who’s made a living off his critical opinion for the better part of a decade, but like all others you’ll read this time of year, they truly do not matter. A list ranking anything to do with Hip-Hop typically results in irrationally impassioned arguments (just ask the consistently controversial Brian “B.
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